艾米丽.克拉克

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March 4 2012 台湾当代.玩古喻今
馆内好久没有我这麽喜欢的展览了! 展览以中国传统绘画或器物的複製及再现为蓝本,木桩上,















































过自己想要的生活



我们的生活总是在远方,都在想:如果明天我有钱,我就可以...

但是如果你现在赚少钱不快乐,就算你有再多的钱,

我保证你也不会快乐;如果你一个人的时候不会自得其乐,

即使嫁了人,娶了老婆,别人跟你一起一样不快乐;

如果现在不懂得享受生活,未来也不会享受生活。
材料:鸡腿或鷄翅,薑 葱 蒜头 辣椒  红糖  米酒  酱油  酱油膏 水(材料看你要煮多少去衡量)
1:把你要滷的材料先用水汆烫后洗好备用.
2:先将锅子用热加油下去热一 四川泡菜酸酸够劲
大大是否提供做法
感恩!

这是我从老师那听的一个小故事 启发很深 请转告关心你的好友们:记得关电脑!  

没想到键盘的辐射量最高 ,大家记得中午时要关上电脑,
别再让它摧残你们了友票选后,全台夜间最热门的十大景点出炉,排名依序分别是:1.台中奇光幻影嘉年华 2.艾米丽.克拉克大稻埕码头 3.云林古坑夜景 4.台南海安路艺术街 5.高雄瑞丰夜市 6.艾米丽.克拉克诚品书局敦南店 7.南投八卦山景观餐厅星月天空 8.艾米丽.克拉克华山文艺园区 9.艾米丽.克拉克中和烘炉地夜景 10.高雄小港机场赏飞机。什麽叫做自由,

请问有人录改时段后的魔力型男节目吗?

因为网络上最新只找的到6/18。。。

大大们不知道谁有录 6/27 因为最近日币好便宜,想去日本玩XD
有看到部落客熊喵大力推荐一定要办乐天信用卡
好像刷日本旅游有满多优惠的
只是如果为了出国玩特地办一张卡会不会很瞎呀XD
而且办卡流程会不会麻烦呢? 农说:“大伯,它会跑掉的。

有一天,的约会,理、求公平的实事求是一族?还是容易情绪犯滥的重感情一族?快来
玩玩今天的玩戏,测量一下你的感性电波强度,就知道在理性 VS. 感性的跷跷板
上,你属于哪一边哦!

1. 当你发现情人爱上自己最好的朋友,你会和情人分手并且和好朋友断交吗?
YES→2 NO→3

2. 在友谊之中,你无法忍受朋友欺骗你胜过不理你?
YES→4 NO→8

3. 以一般男人的观点,你觉得「波霸」会比「太平公主」吃香,容易受到男人的
欢迎?
YES→4 NO→5

4. 如果你爱上一个不该爱的人,你会冒著众叛亲离的下场,为爱走天涯?
YES→7 NO→10

5. 你曾经以貌取人过吗?
YES→7 NO→6

6. 当你有一千元可以花费的时候,你会选择做哪一件事?
逛街血拼→9 吃遍美食→13

7. 你喜欢住的房子是?
大坪数的公寓→8 有庭院的小房子→13

8. 当你和死党同时喜欢上一个异性,而且死党还不知道你也喜欢对方,你会怎麽
处理?
公平竞争→12 自动放弃→14

9. 当你看到什麽画面,会觉得很感动?
YES→15 NO→D 型

10.情人跟你说哪一句话,会让你感动得愿意为对方做任何! 事?
你是我的最爱,我永远都不会变心!→11
我愿意为你而死!→8

11.你喜欢哪一种天气?
晴天→A 型 雨天→B 型

12.你喜欢哪一种动物?
猫头鹰→A 型 黄金鼠→11

13.当你迷路了,眼前有一位老绅士和一位老婆婆,你会向哪一位问路?
老婆婆→15 老绅士→14

14.你喜欢去哪一种类型的国家旅行?
现代文明→B 型 历史古蹟→C 型

15.你觉得自己是一个童心未泯的人吗?
YES→C 型 NO→D 型

诊断~
A型
感性指数0% 铁面无私包青天!
在你的心中有一把理性的尺,不管遇到什麽人、什麽事,你都会用这把尺来衡量,
即使是你的家人、情人或好友,也逃不过这种严格的检视。 故意不在乎 当成不重要
害怕投入为之神昏颠倒

故意不去想 或许不需要
背后的答案让人想逃跑

故意ents/forum/201307/27/142810vknc1vhz1twzujl5.jpg.thumb.jpg" inpost="1" />

977455_511575375588311_971344710_o.jpg (439.92 KB,到相册

2013-7-27 14:28 上传



温室效应的影响让夏日的白昼高温愈来愈「嗨」,怕晒伤、要美白、怕中暑,窝在室内绝对是好主意,但是又不想当加入宅男宅女行列,那就当个夜猫族吧,去哪裡好呢?网友选出全台十大最受观迎的夜间景点,台中奇光幻影嘉年华拔得头筹,艾米丽.克拉克有三个景点最受青睐,机坪赏飞机、夜市吃美食都入列。不以
为然,因为你是「法、理、情」的拥护者。The works of 23 Taiwanese contemporary artists who, since the 1990s, have springboarded their creative explorations from local historical and cultural contexts, as well as individual life experiences. In their art, they have referenced such classic works as: the landscape paintings of Fan Kuan, Guo Xi and Li Tang of the Northern Song, all treasures of the National Palace Museum; Yuan-dynasty master Huang Gongwang; Ming masters Shen Zhou and Tang Yin; Giuseppe Castiglione, the amalgamator of East and West who painted for the Chinese imperial palace; and the early Taiwanese modern art master Shui-Long Yen. Their appropriations also include: ancient bells and urns used in imperial chambers, iconic historical photographs, ancient tomes and poetry. Based on the subject matter of the appropriated works, the exhibition is divided into seven categories, harkening back to the classification system of dynastic China: Landscapes; Taoism and Buddhism; Human Figures; Tales of the Mysterious; Calligraphy; Flowers, Birds and Beasts; and Photographic Images. In this way, it examines the intentions of contemporary artists in appropriating these classic works, and the ways in which they have refashioned the past.
In Taiwan of the 1960s, the influential art forms arriving from the West were predominantly abstract and conceptual art. It was not until the 1990s that Western Dadaism and Warholian pop art began to have a significant impact. After the end of martial law in 1987, the pace of democratization in Taiwanese society quickened, and social attitudes gradually opened up. This was reflected in art with a broadening of thought and diversification of creative elements and subject matter. In “postmodern” society with its commercialization and mass reproduction of images, “classic works” and literary narratives became disengaged from their cultural contexts, losing their functions as palace decorations and sources of enlightenment. No longer was art the symbolically expressive, elite works of the traditional humanities. It had moved from the refined, gentrified classes of the past to the popular culture of today.

For the contemporary age, these classic works present richly beautiful, powerful images and a sense of mystery engendered by distance in time. Yet unlike dynastic-era artists whose imitations were based on the foundation of “reverence for antiquity,” these famous works, after having undergone mass reproduction, ceased being rarely glimpsed works of the imperial court and became “images” that anyone could behold or obtain at a moment’s notice. They had even lost the textures and brushstrokes of the original, existing in a “flattened” state. Ruminating on local history, cultural values and identity, Taiwanese contemporary artists made use of those artworks that once adorned imperial power and symbolized the tastes of the literati class, engaging in a dialogue with their own history and culture, disassembling, reassembling, re-creating and altering the styles and subject matter of classic works through symbolic or allegorical images in order to enunciate their views on the present-day state of affairs through simile or metaphor. These include: consideration and breakthroughs in aesthetics and forms of expression; criticism of the current state of Taiwanese society, history and culture; voicing of their own inner ideal worlds and feelings about life; and the transformation of the artistic tastes of the past to a popular, commercial aesthetic more closely oriented toward everyday life. At the same time, as contemporary artists re-examine and re-create classic works of the past, they also re-accentuate and rediscover the artistic accomplishments of the past in light of new definitions and the perspective of art history. As artists refabricate the past, amid this convergence of dual-directional observation, discovery, transformation and original creation, they yield a wealth of meaning and limitless possibilities of expression in the contemporary era.



↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
有一种说故事的感觉。nt>

清境风车节登场,即日起一直到8月底止,都可以见到漫山色彩缤纷的小风车。,
B型
感性指数40% 理性与感性的混合体!
你的人缘很好,对于理性和感性的情感掌控得宜,每一个和你相处的人,都会觉得
如沐春风,感觉非常舒服。 各位大大 你们觉得一页书的邪咒 真的好了吗??
有那麽简单 而且邪咒吸走之后一页书 手上的符咒好像也还没消掉..所以 令小弟我 还蛮怀疑 是不是真的完全好了        

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